Mikhail Lermontov - Selfportrait - 1837 |
[The appeal to me in the works that follow was in the harshness and fury of Lermontov’s romanticism, but it was just this note of contempt, as in his “iron verses / bursting with bitterness / & rage,” that marked him as a poet who displayed, as Nietzsche wrote of Heine, “that divine malice without which I cannot conceive perfection.” It was that spirit – not necessarily our own – that Milos Sovak & I tried to capture in a project to translate Lermontov anew, sadly terminated by
Untitled Poem
spleen & sadness,
not a hand held out& heartsick
craving it!
& what’s the goodif any, ever?
Or forever – years lost
& the best of years!Or maybe love
with whom?
the time too short,not worth it
& forever love
impossibleto look inside you
deep down, not a trace
of lost timejoys & miseries
turned into nothing
asking: what is passionthat sweet sickness
& how long & whether
it will last or fadewhen brought back to your senses
& life too? just wait
& take a long hard look& see it like it is
an empty
stupid joke
The Dream
noon heat ablaze
here in this gorge in
lead in my chest
I lie unmovingdeep wound
steaming still
a trace of smoke& drop by drop
my blood
escaping
sand in the gorge
I lie alone
the ragged edges
of its cliffs
encircle me
the circle closing
& the sun is battering
the yellow summits
scorched
asleep inside
my dream that’s dead
2
& in my dream I dreamed
a night of shining lightsan evening feast
down home
into & out of which
a company of women
garlanded with flowers
circling
spoke about me
gaily
gaily
only one girl
who didn’t speak or laugh
apart from all of them
alone
but sat & pondered
sunk into her dream
what sadness
made its wayinto her soul
god knows what thoughts
her thoughts were raising
when a gorge in Dagestan
broke through her dream
a body that she knew
lay in that gorge
& on its breast
an open wound
still steaming
turning black now
& the black blood flowing
in a stream
& getting colder
colder still
& colder
[to be continued Here]
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